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Oman Mosques: Symbol of Faith


 

By Aftab Husain Kola

Elegant mosques dot the landscape of Oman lending it a well‑defined character of an Islamic ambience.

Oman was one of the ear­liest territories to enter the fold of Islam during the life­time of Prophet Muhammad (peace be upon him).

The people of Oman were so moved by the spirit of Islam that they embraced the religion in no time at all. Mazin bin Ghadoubah takes the credit for becoming the first Omani convert. He was given the shahadah by Prophet Muhammad (pbuh) himself in Madinah.

History records that on his return from Madinah, Mazin, who was inspired by the beauty of the prophet’s masjid in Madinah, built a mosque in his hometown Samayil, which took the name ‘Masjid Al Mudhmar’. It has been restored by the government. and is the first mosque of Oman.

From the first mosque till today the rulers of Oman have always demonstrated magna­nimity when it comes to the construction of mosques to serve the devout inhabitants of the country. Oman’s rich Islamic heritage is manifested in its old mosques and also in the modern elegant mosques which reflect the ruler’s vision of keeping the country abreast with the times.

The Sultan Qaboos Grand Mosque is the result of His Majesty’s vision which aims at making Oman a symbol of Islamic culture.

Coming under the Sultan Qaboos Centre for Islamic Culture (under the Diwan of Royal Court) the mosque now stands as a crowning glory on the architectural horizon of the country.

I had the honour of pray­ing in this mosque on several occasions. But this time we ventured out to find out what makes it a marvel­lous piece of architecture.

The Sultan Qaboos Grand Mosque, located in Ghubra in Bausher district, was built at His Majesty’s personal expense. Designed by archi­tects Mohammed Saleh Makiya and Quad Design (for London and Muscat) the mosque is a fine specimen of Islamic architecture.

Our guide Mohammed Al Khaifi told us that the site covers an area of 416,000sqm and the complex spans an area of around 40,000sqm.

We start from the main approach of the gigantic mosque complex, situated at the south end. Standing at the main entrance courtyard we can see the other two entrance passageways which lead to the podium.

All the three passageways have exclusive designs incor­porating different Islamic architectural features, includ­ing the Persian style. The ablution area is wedged between two passageways.

Behind these three pas­sageways are the entrance courtyard leading to the arcaded riwaqs. Through the ornate door our guide ushers us to the main square prayer hall with a central dome.

The massive hall with the exterior walls is entirely clad in off white Bianco P and dark grey Bardiglio marble panelling sheathed in cut tile work.

The arch framed mural panels are decorated with ceramic floral patterns. The mihrab (niche  where the imam leads the congregation­al prayers) projects through the outer qiblah wall  a traditional feature of the qiblah walls of Omani mosques.

Khaifi pointed out the beautifully carved upper walls of the hall which are girdled with a richly decorat­ed band of Quranic verses in Thuluth script.

As we focused on the grandeur of the ceiling and the walls Khaifi told us to look down pointing to the carpet which spans the entire floor. Measuring 70x60 metres and weighing 21 tonnes the fine wool carpet took 600 weavers four years to complete.

The magnificent main chandelier dropping from the central dome is made of Swarovski crystal and gold-­plated metal work, like all other 34 chandeliers which hang along the wood paneled ceiling outer bays surrounding the dome. The main eight ton chandelier has 1,122 lamps.

We then moved to the ladies prayer hall which can accommodate 750 worshippers. The walls are clad in pink stone specifi­cally polished and embel­lished in polychrome marble inlay panels.

The inner sahn gives a subtle feeling with a spartan cream interior that reflects a continuity of the exterior of the prayer enclave. A retractable canopy, a light­weight shading structure, was designed to be attached to the roof to cover the sky when shade is required in the courtyard.

A library with 20,000 books and an Islamic Information Centre are housed in the mosque com­plex. The library has geomet­ric carvings while floral designs are used in the meet­ing hall. Facilities like computers, internet, photo­copying, etc are made avail­able in the library. There is a lecture hall which can accommodate around 300 people. Regular lectures on different topics are organised.

 

Information

Visiting times (Non‑Muslims are permitted): From Saturday to Wednesday: 8am to 11 am. Guides are available at the mosque.

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The articles which appeared in Islamic Tourism magazine

Once Upon a Time in.... Oman

  Issue 72

Mark Kirk, returned to the Gulf as General Manager for Shangri-La Barr Al Jissah Resort & Spa in Muscat.

  Issue 70

Muscat Arab Tourism Capital 2012 Brand Competition

  Issue 67

Sultanate of Oman

  Issue 45

Oman
Natural Splendours And Magnificent Markets
  Issue 38

Oman
Full of castles and smiling people
  Issue 29

Oman’s Heritage
Forts and Castles From Rubble to Restoration
  Issue 23

Salalah
Oman’s Historic Incense Capital
  Issue 22

Oman Mosques
Symbol of faith
  Issue 18

News
Salala - A unique cigy, A unique atmosphere
  Issue 5

Nizwa
Tourism in the Omani heritage
  Issue 3




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