Al-Mehdar: preserving Hadrami unity
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By Khalid Abdo Yemen Times 10 January 2004
I had always dreamed of traveling to Hadramout due to the influence the Hadrami music
had on me since I was a child. Finally my dream became true when I was hired by the GTZ to teach a course of English in Hadramout. Needless to say how beautiful the land is, huge gardens of palms and fascinating mud buildings revealing a welcoming smile for guests. Music is a major activity people resort to for recreation. Few weeks after my arrival, I planned a picnic with some of my students. To my surprise, I found that many had brought some musical instruments namely violins, drums and whistles. My wonder diminished by learning from them that almost each house possesses a musical instrument. The discussion and comments of all attendants reflected their devotion, appreciation and love for music in general and their own in particular. The songs of Al-Mehdar, whom they considered to be the father of the Hadrami arts, took the major part of our conversation and singing.
The contribution of Al-Mehdar to the unity and harmony of Hadramout and its people:
Al-Mehdar dedicated many of his songs to the various towns and settlements so that the whole land remains united to the tune and rhythm of his music and to keep up the flavor of Hadramout. This unity was reinforced by the movement of Al-Mehdar between the different towns of Hadramout, sometimes to participate in the Daan sessions, a highly sophisticated type of music, having felt the necessity for the integration of such a community in question. It was, as well, a way of rubbing shoulders. Seiyun (Al-Taweela) (Al-Mukkala, Tarim, Shbiam (Al-Safra), Al-Qatn and Al-Shihr, are just examples of the towns he made lyrics about.
Al-Mehdar preserved the rituals, which date hundreds of years back and other traditions in his music. For example, the Hadrami people are famous for celebrating several ceremonies such as the visits they pay to the tombs of some saints on several occasions where they trade-in some household stuff, socialize and sing in processions. Such festivals facilitate their communications and safeguard those traditions, the most remarkable to be mentioned is the pilgrimage to the Prophet Hud tomb.
Say hello or wave it by hand,
Oh princess of my heart
And take me a slave and hold me in your possession
As you passed by on the visit festival day
You dazzled the whole procession,
He who saw your beauty praised God for his make.
You were the leading beauty of your age,
Maids to your left, right and behind
Acting as servants
The spark of your love ignited mine
Keeping my eyes awake
Sleepless when all are asleep.
Human emotions:
His poetic gift allowed him to dive into the inner life of his fellow people and feel their problems. Therefore, he kept the balance by moving on with the norm and criticizing odds, many couplets the songs end up with have some connotation to wisdom and advice.
“Adhere firmly to honestyâ€
Abandon and do not water the one who has no sense of honor.
Symbolism:
Symbolism is one of the main characteristics of Al-Mehdar’s lyrics, for instance, he implied politics and other relevant issues some of which are subject to interpretation depending on the degree of transparency. He for instance predicted the unity of Yemen before it took place in May 1990. In other words. He fulfilled the satisfaction of various people ranging from issues related nomads in the desert to debates and politics.
Creativity and innovation:
The songs of Al-Mehdar would have not acquired this international recognition without the major part played by Abu Bakr Salem, one of the most distinguished artists in the Arab world.
Who excelled in making words sound exotic. His magical sound turned, lyrics, music and performance into a world of perfection.
One night in Al-Taweelah
One night in Al-Taweelah,
More romantic than those of the Arabian nights
(to the truck driver: “please, slow downâ€.
Al-Qarn, it is that I wish to have home
No resemblance of that Joy I had that night
She is so precious to give up for all pearls.
Al-Qarn, it is that I wish to have home
The top sights of the city have arisen
women are spreading the word, revealing the secret
And fear’s gone
Al-Qarn, it is that I wish to have home
Stop and relax your heart
Before, you get too old to enjoy the scenery of the sweeties
Al-Qarn, it is that I wish to have home
Had your eye seen what mine saw of her beauty
You would be tempted to seduction
Al-Qarn, it is that I wish to have home
Puzzling when she speaks,
Her height shapes perfect
Her eyes are arrows which, if casted
They never miss the target,
Al-Qarn, it is that I wish to have home
They have proved successful in romance talks
Chuckling one’s balance,
Allowing love to go all over the body
Al-Qarn, it is that I wish to have home
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Taz Office / Agents
Mr. Khalid Al-Dhababi
P.O. Box 2572
Taz - Yemen
Mobile: +967 734 08278
E-mail: itmtaz@tcph.org |
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